The second painting is of a recognisable species; it is a red headed barbet which is found in South America. I’ve kept to the actual colours fairly accurately. Recently I’ve tended to choose birds with bright colours and mostly species which I’ve never actually seen. The colours of the birds suggest what other colours to use; for example I often use complementary colours (they are the colours opposite each other on a colour wheel). Here, blue is the complementary colour for orange, so together they seem more vivid.
As with the first painting, I’ve positioned the bird on a lotus; in this one the lotus is more obviously a throne or altar. I painted the shower of petals thinking of the Sunday Festivals at Throssel Buddhist Monastery. During the ceremony a monk weaves in and out of the walking congregation showering everyone with artificial petals. I also seem to remember showers of flowers being described in The Lotus Sutra.
I hope both stillness and activity are conveyed in the painting – the stillness of the bird and the activity of the petals.
Note; In some of the tales about the previous lives of the historical Buddha he is ‘king of the wild geese.’ This is one reason why geese are depicted so often in Chinese and Japanese Buddhist art. There is also a charming Buddhist ‘Conference of the Birds’ where Avalokitesvara is transformed into a cuckoo and the rest of the birds gather round while he expounds the Dharma. For anyone interested in reading this it is included in Penguin Buddhist Scriptures.
I used to be an art teacher and became a Buddhist in 1985 at Throssel Hole Monastery. I’ve been a keen birdwatcher also from the 1980’s. Now retired, I recently started painting again and chose birds as a theme. I’m not interested (or skilled enough) in wildlife illustration, so although I start out with a reasonably faithful depiction of a species I will change colours and shapes to fit the composition. This one is different; the bird is entirely imaginary.
As you know, the lotus is a common and potent symbol in Buddhism so I featured a large one here. Instead of a Buddha sitting on the lotus I painted the imaginary bird to suggest that everything is Buddha. The rest of the landscape is semi-abstract and developed without any pre-meditated composition. I hope it suggests the life-force with the tree-shapes and vegetation. I chose the colours as I painted, again to suggest life-force and fecundity.
painting is acrylic on board and is 30cm x 29cm. There are two more
in the series.
My favourite summer walking jacket, many years old, soft and beloved. Another one ripped by the dog as he tried to get treats out of the pocket as the coat hung on the hook. I have mended previous damage with iron-on tape, effective but unsightly. So this time I have tried my hand at an amateur imitation of Japanese ‘sashiko’ mending – where the mend itself becomes a treasured part of the garment.
I have had to let go any idea of perfection, and accept that my first attempts are a touch on the rough and ready side. But what joy it has brought me! First of all it was a pleasure to do it, secondly it has given more life to an irreplaceable garment, thirdly it gives me joy to see this mend each time I put the jacket on. My own little contribution of crafting to the world, something special for my jacket. I can even be grateful to the dog for providing the opportunity to do the repair.